xt7qjq0stw34_4394 https://exploreuk.uky.edu/dipstest/xt7qjq0stw34/data/mets.xml https://exploreuk.uky.edu/dipstest/xt7qjq0stw34/data/1997ms474.dao.xml unknown archival material 1997ms474 English University of Kentucky The physical rights to the materials in this collection are held by the University of Kentucky Special Collections Research Center. Contact the Special Collections Research Center for information regarding rights and use of this collection. W. Hugh Peal manuscript collection Literary portraits scrapbook text 43.94 Cubic Feet 86 boxes, 4 oversize boxes, 22 items Poor-Good Peal accession no. 11453. Literary portraits scrapbook 2017 https://exploreuk.uky.edu/dipstest/xt7qjq0stw34/data/1997ms474/Box_49/Folder_4/Multipage21982.pdf 1833, undated 1833 1833, undated
Scope and Contents
Contains prints of British authors of the 19th century. Also includes some manuscript correspondence.
section false xt7qjq0stw34_4394 xt7qjq0stw34
. rutfi-«Jl‘ngma “mm—n»: 4.1-, ~ —.-<—‘ <
Duniel'Maellse, R. A.
A cable telegiwljrgrnfkglgdon announces the .
death on Monday lasi'Ai‘rom isease of the heart, of ,
Daniel Maclise, the celebrated artist. He was of x
Scotch extraction. and was born in Cork, Ireland, r
on the 25th of January, 1811, his father, utter whom E
he was named, being thee an ensign in the:
Elgin Fenclbles. When a child he displayed:
marked talent for drawing, but was not at}
first encouraged to pursue art. His parents;
being in poor circumstances he received
but a moderate education and compelled his entrance
into a banking house at Cork when others boy. It
was not long, however, before his natural disinclinnl
tion for a commercial life asserted itself, and before
he had reached his seventeenth year he left the
establishment and went to London (1828), where;
he entered the Royal Academy as a utu- i
dent. He labored hard and diligently, with such 1 .
success that he won all the mesials 101' which he i
competed, including- tiie gold medal twtce succeslvely. 3
In 1830 Mr. Maclise went to Paris for the purpose
or studying the galleries and studios of that city.
He renmined there some two years, supporting him-
sell by making designs for booksellers and others
and by portrait painting. In 1833 he exhibited his
iirst pictures at the British Institution, which at once
established his reputation as an artist, and enabled
him to abandon portrait painting for the more oonge- ,
niul pursuits of his Dl‘UchSIOII. The pictures referred to
were “Mokanna Unveiling: her Features to Zelicii,"
and “All Hollow Eve.” These were followed in 1835
by the “Chivalrous Vow of the Ladies and the Pen-
cock," which brought about his election as an Asso-
ciate of the Royal Academy. Subsequently he pro- 3
duced his “Robin Hood and Richard Coeur do Lion,” ,'
“Salvator Rosa Painting Masonielio,” “Merry;
Christmas in the Bilrou’s Hail,” “Banquet ,
Scene in Macbeth," “Gllv Bias Dressed en,
Cavalier,” “Scene from Twelfth Night,” “Sleeping,
Beauty," and other pictures which made him one A
or the most popular 01’ British artists. In 1841 he i
was elected R. A., and from that time to his death I
painted a large number of pictures, of which we run ,
only home the most. important, which a'e—“The'
PlayStcne in Hamlet," his well known design or
Shakspeare’s “Seven ALICE,” “The Marriage or
Strongbow and Eva in Rntiiication of [the Conquest
of Ireland under Henry 11.” (his largest aizdmist,
important picture), “Othello, Dt’siiemona and
Emilia?” and “A Winter Night’s ’l‘nie." ‘,
In 1855 Mr. Maclise made a. tour of Italy in search i
of fresco work and for the pillpiiai or performin'r
his duties as one of the flue art jurors oi‘ the Polls
Enhibiiion. For some years ms! and up to his thath
he had been engaged on asrries oi carzoous to be
painted in fresco in the Revel Gallery of
the Houses of Pariiament. ”file most im-
portant of these are “The Death of Nelson”
and "The Meeting or Biucher and Wellington
after the battle of Waterloo,“ In 1866 Mr. Maclise was
oii‘ored the presidency of the Rovai Academy, but ho
declined the p'isition. By his death the world loses
one or the oldestofmoderu artists and one of the
most prolific. His style was peculiarly his own and
was often severely criticised, but on the whole it re- '
flectod credit upon Mr. Maclise and maintained the/
high position of his art.
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