xt7b5m62812t https://exploreuk.uky.edu/dipstest/xt7b5m62812t/data/mets.xml The Kentucky Kernel Kentucky -- Lexington The Kentucky Kernel 1975-08-12 Earlier Titles: Idea of University of Kentucky, The State College Cadet newspapers  English   Contact the Special Collections Research Center for information regarding rights and use of this collection. The Kentucky Kernel  The Kentucky Kernel, August 12, 1975 text The Kentucky Kernel, August 12, 1975 1975 1975-08-12 2020 true xt7b5m62812t section xt7b5m62812t \III' I\\II \II 13

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Phoenix Hotel filling fast
UK housing office trying to make room

B) F RANKI IN RENF Rt)
Kernel Staff Writer

The University housing office is con-
verting dormitory study rooms into
housing space in effort to house some of
the 500 students still on waiting lists for
dorm space. Meanwhile. the Phoenix Hotel
is filling up rapidly.

With fall enrollment expected to reach a
record 21,000, University housing officials

Boys in the band

have turned to downtown hotels for help in
housing students.

The Phoenix Hotel and the University
Inn, both located on Main Street. have
made rooms available to students on the
dormitory waiting lists at special monthly
rates, which run from $150 to about $200
per month for two students. The rates
include television and maid service.

“This late,

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Iooms are lef.t "‘It 5 been pretty steady."
said Keith Brubaker, front desk manager.

director Larry Ivy said. Ivy has already
planned to convert the study rooms in
Holmes. Patterson, Jewell, Keeneland and
Blazer halls to provide about 30 students
with housing space. Two guest rooms in
Blanding Tower will also serve as room

“By Thursday it will probably all be closed
out. We hopefully will be able to offer more
rooms.”

However, the University Inn has had

it looks like the hotels are

space.

The Phoenix Hotel has reserved 77
rooms for University students, and 23

 

The Ed Minor Orchestra played Monday on the fountain plaza at
First Security Bank. on the Esplanade downtown. Ed Minor plays

the electric piano.

Other members are Tony Kopezyk. Frank

McVey. Di Martino. Earl Thomas. Ray Kopezyk. and Joe Ham-

brack.

:gfi
We \

only five persons put down deposits, ac-
cording to an employe of the hotel.
Conunued on page 8

Communications
to be realigned

By NANCY DALY
Editor-in-Chief

President Otis A. Sihgletary will soon take action to abolish
the School of Communications. as it is presently known,
before the beginning of the fall semester.

Elements of the School of Communicationswwhich
presently consists of the departments of journalism. speech
and telecommunications—~will be realigned Into two new
academic units within the College of Arts and Sciences: a
School of Journalism and a Department of Human Com-
munications.

The action was recommended by the University Senate

A Committee on Academic Organization and Structure.

chaired by Dr James Criswell, as part of the College of Arts
and Sciences reorganization proposal.

Singletary appeared before the Senate Council Friday to
announce the realignment would be implemented im~

d' 1'.
mm” ——This is if—*

This is the final edition of the
summer Kernel. The next edition
will be printed on Wednesday.
Aug. 27.

Thanks for reading. and keep
those cards and letters coming.

Singletary was
unavailable for comment
Monday. but several
Senate Council members
said the action is being
taken in view of

Continued on page 8

 

 

 

  

  

Managing Editor

Associate Editor
Jack Koeneman

  

A bureaucra

falls on

accreditation

All summer long we’ve watched another
chapter unfold in the nevenending saga of
what bad publicity can do to a university.
And now thatsummer is drawing to a close,
UK President Otis A. Singletary is fur-
nishing us an outstanding entry to a tale
which never fails to stupefy and amaze.

As we all certainly must know by now,
the news-editorial sequence of the
Department of Journalism lost its ac—
creditation last April. The sequence was
accredited by the American Council on the
Education of Journalism (ACEJ) in 1946.
Accreditation of a particular academic unit
serves basically to set it in line with
national norms.

Unfortunately the journalism depart-
ment’s loss was publicized rather widely by
newspapers all over the state. What’s
even more unfortunate is the response of
UK administrators and faculty to the bad
publicity.

We’ve seen these administrators and
faculty—but quite obviously no students——
running around all summer in a desperate
attempt to get it together and re-apply for
accreditation this fall with no regard for
student thought about the departmental
changes. At least there has been no
student representation on the committees
involved.

One such committee is the task force
which Sing leta ry charged with the duties of
studying the ACEJ report on the jour-
nalism department and making recom-
mendations aimed at correcting the
problems the accrediting team pointed out.

Although the task force’s report is not yet
final, journalism department chairman
Bruce Westley outlined several of its
probable recommendations to us. These
included the hiring of three new faculty
members with recent professional ex-
perience and the purchase of new
photographic equipment and new elec-
tronic editing equipment.

KI'N'II‘CKY

    

l‘“

t

Well, we haven’t seen the new editing or
photographic equipment yet~not to say
that we won’t—but lets’ hope the sequence
remains disaccredited until the equipment
is safely installed.

As for the new faculty members, they’ve
been hired and we commend the jour-
nalism department for their hiring process
which included interviews open to all
journalism students.

The only problem is that after the ac-
crediting team comes and goes next year
(if accreditation is re-applied for in the
fall) we’ll possibly be back to about the
same number of faculty members as
before. One existing journalism faculty
member will be retiring next year and one
of the new faculty members was hired on a
one—year contract basis. An addition of
three could be down to one after re-
accreditation.

What could have been a time for detailed
review of the journalism department’s
problems, offering realistic solutions, could
so easily and quite possibly turn into a
grand show for premature application for
reaccreditation.

Unfortunately, a recent action by
Singletary reinforces this view. Again we

have a UK administrator apparently
responding to bad publicity.
Singletary appeared at last Friday’s

”emergency” Senate Council meeting and
with his actions further dramatized the

administration's obsession about getting,

back journalism department accreditation.

Editorials

The Senate Council, atthat time, advised
him to proceed with implementation of a

plank in the Arts and Sciences
reorganization platoform—basically to
make a clear administrative distinction
between professional journalism training
and communications sciences.

What is important is the word "advised.”
Singletary did not ask for the Senate
Council’s consent—only their advise.

This action, and the Senate Council’s
unmistaken approval, instituted a
precedent which could in the long run
destroy the ability of the Senate to stand up
to administrators when formulating
academic policy, their stated charge.

To quote Senate rules, the Senate
”determines the broad academic policies
of the University” and makes “regulations
to implement these policies.” (Section l,
University Governing Regulations).

Even though Singletary's action may
seem to make a lot of sense for the time
being, the damage done to Senate authority
must be reconciled.

No one, not even Otis Singletary, can
predict what the University Senate will do
at any given time. In fact, they remain
consistently unpredictable.

The Senate could potentially veto
Singletary’s action when it meets Sept. 8.
And although such a move would re-
establish boundaries of authrority, it would
also create bureaucratic chaos that would
set Singletary’s dream of re-accreditation
farther back than it ever was before.

 

 

   
  
  

 

cruel

Sports Editor
Barry Forbis

Photo Editor
Ch uck Com bes

Editor-in-Chiet
Nancy Daly

 

Susan Jones

Assistant Managing Editors
Walter Hixson

Byron West
Arts Editor Advertising Manager
Dona Rains John Ellis

Production Statt

The Kmturlry kernel, 114 Journaiism

reader buy and any false or mlsiCGQ.;"l

Linda Carroll
Mary Pat Schumer
Gail Cohee
Judy Demery

Carla Rodriguez

Advertising Production
Steve Ellyson

"-uldirg, University of .Kmtucky, Lexing
.on. Ka~ ucxy. 4090s. IS mailed five times
weekly during the year exeapt during
holidays and "\(am periods, and twice
weekly during the summer sessim. Third
Class Maids: r-‘id “ 5 cx‘noton, Kentucky,
Itsil Sutscription rates are $12 per tull
semtste'. Published by the Kernel Press,
incatdfoundedin 1971 theKernelbeganas
the Cadet in 1894. The paper has been
published continuously as the Kentucky
Kernel since 1915

haw-‘57:: 1' in‘r'ftr’d only to help the

advertising should be reported and will be
invistigated by 9hr» editors, AdVeTiISIITg,‘
found to be false or misleading will be
reportw to the Better Business Bureau.

Letters and Spectrum articlts should be
addresed to the Editorial Page Editor,
Roomlld Journalism Building. They shxild
be typazt, double spaced and stoned Classi
ricatim, phone number and adore: » shw .t
be included. Letters cannot exceed 2's. u... .-
and Spectrum articles should be no law
than 750 words. Editors reserve the right in
edit letters and Spectrum artirles

T

 

 

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Spectrum

 

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Societies exist-for only one purpose...

Security

 

By James M. Collier

 

It was surprising to see in this day and
age in the Kernel "Spectrum” (Aug. 8) an
emulation of socialism’s future worth to
democracy over the unsteady and
treacherous support of capitalism. Yet
since it is also sadly surprising to see that
people are still willing to destroy each
other over such questions as ”Which
school will children attend?” and "Which
textbooks shall they learn from?", it is
obviously necessary for us to take out and
examine from time to time those prin-
ciples by which societies actually function.

Societies exist for only one purpose and
that is security — to secure to themselves
food, shelter, clothing and luxury in the
most efficient manner attainable. Thus
were the masses organized to facilitate
and expand production of necessities and
luxuries. Whether this organization was
achieved by oppression, regimentation,
delusion or promise of cradle-to-grave
welfare might seem to be immaterial to
the individual so long as he was minimally
provided.

However, there is one other thing which
is as essential to mankind as a full belly
and protection from the elements — that is
a sense of one’s own worth, or more con-
cisely, to be possessed of dignity. it was to
secure this dignity to the minority (even a
minority of one individual) that
democracy came into being as a social
form.

Socialist author Russell Pelle asks us if
democracy is worth fighting for. The only
thing worth fighting for is the dignity of the
human being. But ”fighting" does not
mean necessarily destroying the op-
position. That simply happens to be the
easiest way to fight. But that is precisely
what Mr. Pelle is advocating even though
it be by the non-violent mean of
humiliatingthe opposition into impotence.
Yet the precursor to humiliation is utter
demolition of dignity, and in so doing, one
destroys that which one sets out to defend.

Governments are faced with the tragic
fate of having to restrain those elements
of its society which are a threat to that
society’s security, whether that security is
defined in terms of capitalism, socialism
or whatever, realizing that the exercise
of such restraint will cause some group or
individual to feel the negative force of
society, and anytime that occurs,

democracy is likely to be abridged. But
since security is the fundamental premise
of society, any threat to security must be
met with action and the inevitable risk of
compromising democracy. And since
democracy is a form of security, its
preservation must be maintained by ac-
tion as well.

Since governments, particularly
socialist ones, are the major
organizational and restraining forces of
society, they come to identify their
continued existence as concommitant with
the security of society. Thus any threat to
the government is by definition a threat to
security. What Mr. Pelle apparently does
not realize is that every government,
present or past, has felt its continued
existence threatened in some way. No
government can free itself from such
threats and socialist governments with
their intricate plans and organizations are
especially vulnerable to paranoia over
”counter productive” movements and
ideas.

Mr. Pelle states that socialist govern-
ments ioin the rest in foreseeing a need to
suspend or limit democracy during
periods of civil war. But he would do well
to recognize that the modern mode of
conquest is by exploitation of subversion

and fifth column activities, i.e., to in-
stigate civil war in the rival government.
The logic is simple. The most likely threat
to security is a civil war. The most likely
source of a civil war is an active op-
position. The best defense is a good of-
fense. Therefore, throttle the opposition.
.What other logic has ever been cited by
Mrs. Ghandi, Stalin, Nixon, Thieu, Mao.
iunta after iunta

All simplified, there is only this — in-
dividuals, groups, societies, nations are
willing to pay any price, even the loss of
democracy, in order to feel secure. As long
as security is the fundamental of society,
democracy will live a precarious
existence. Only ifwe can supplant security
with dignity as fundamental can we hope
for liberty. So Mr. Pelle's excellent
question, ”Does humanity have what it
takes to determine its own future
democratically?”, should properly read,
”Where is our dignity?”

 

James M. Collier is a student in the
College of Medicine.

 

—
\

  

I—TIII“ KI‘INTl(‘K\ KI‘IRNFL. 'Tuesdan. August I2. I975

mo sitsrtAuo suomut; csuren
LEXINGTON, xenrucxv noses
PHONE 254.1244

390 EAST MAIN STREET
LEXINGTON, KENTUCKV £0507
PHONE 253 ~ 2003

Posters Flyers
Bulletins Resumes

Announcements Newsletters

Serving The UK Community

 

 

LAN-MARK STOR

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pants, hiking boots, and
work boots.

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arts

 

‘Rollerball' is hostile game

for future tranquil society

By (‘INDY Rl'TII
Kernel Staff Writer

If you plan on sticking around
for the next 40 years or so and are
wondering what things might be
like in the year 2018, Rollerball is
a movie you cannot miss.

This movie depicts life in the
first decade of the next century
when poverty, disease and wars
no longer exist. All in the world is
tranquil except — Rollerball.

Rollerball is “the game” of the
let century and is a combination
of roller derby, hockey, football
and motorcycle racing. This
violentgame, which is eventually
played to the death, is the outlet
for hostile and anti-social
feelings of the masses. They have
no other way to vent their pent up
emotions and frustrations in a
world where there is no conflict
except on the playing floor.

This world of tranquility has
been brought about by the
bankruptcy of the nations as we
know them followed by a series of
wars between the powerful
corporations. Corrupt politicians
are replaced by skilled
management executives who run
the world.

Corporate headquarters are in
the major cities. The “game” is
played by home teams in these
cities under corporate colors.
Houston controls the energy of
the world and is the sponsor of the
rollerball team which has been
champion for the last three
years.

Houston‘s team captain is
played by James Caan who is the
veteran player in the sport and
the idol of fans everywhere. The
world’s governing body, the
Board of Directors. thinks Caan.
Jonathan E.. is getting too
popular. It tries to force him into
retirement and his subsequent
fight to remain an active member
of his team is the story of
Rollerball.

This fast-paced science fiction
movie is one of the most well done
I’ve ever seen. It is not only
realistic, but also very believable
-,., almost too believable. It's a
very frightening reality as you sit
there and watch .210 violence of
the game and realize that the

 

With steel baTl in hand, James (‘aan begins his attack on his
competitor in the championship game.

days when that may exist are not
‘too far in the future.

E Review

There does seem to be a
discrepancy in his charac—
terization, though. Off the
playing floor, he is Mr. Nice Guy,
but once he gets into the game he
is nothing short of viscious. It’s
rather hard to accept this
because he plays both parts so
well. It's almost as if two
separate films could have been
made from the one character, but
both would have been complete.

The casting, direction and
originality of this film is
amazing. Its action of the game is
brilliantly filmed. Some people
may find it too violent, but it's not
excessive. The blood itself is not
the biggest part of it but the
crunching blows do make
everyone wince in imagined pain.

This futuristic film is
believable in all of its scenes but
one. The superiority of the
computer in that day and age,
although ever present, is kept
plausable except when Zero, the
granddaddy of all the computers,
is encountered by Caan.

This is a poor scene where
Jonathan E. goes to Geneva,

Switzerland, to ask the main
memory bank a few questions
and then realizes that certain
information has been lost forever
by Zero — nothing important but
just little things, like the whole
13th century and the histories of
the corporate wars.

Although the scene is not ef-
fective because Zero is nothing
more than an upright bathtub
which talks and bubbles, it does
get across the frightening
realities of censorship.

The purpose of the whole game
of rollerball is both to please the
masses and quench their thirst
for violence. as well as to show
them that the individual and his
efforts mean nothing. They want
to stress that the team is the
ultimate in life.

When Jonathan E. excels. it
begins to destroy the myth that
the corporations have worked so
hard to preserve. When the movie
ends. with billions of people
watching the final game of the
playoffs on multi—vision (their
answer to TV), the audience is
left wondering what the future of
that society is.

Jonathan E. is the undisputed
champion and has proved that he
is both greater than the team and
thegameitself.

Outdoor musical is good ‘escape'

By JANE BL'LLINGTON
Kernel Staff Writer

The Stephen Foster Story. the
outdoor musical produced at
Bardstown, provides an excellent
escape from the problems of the
1970's by retreating into the
romanticized song~and~dance
world of Stephen Foster of the
mid 1800’s.

A colorful and heart—warming
production, the story centers
around the life of young Foster as
he attempts to establish himself
as a song writer, despite the
advice of his family and friends
to merely get a job and make a
living.

In addition to his career ob-
jectives, Foster also tries to win
the hand of Jane “Jeanie“ Mc-
Dowell. His struggle to win her

and the songs that result are the
heart of the play.

The cast is talented and
vivacious. Reese Holcombe, as
Foster, is outstanding in his role.
The first native from Bardstown
to play Foster, Holcombe’s voice
is well~suited to the songs and his
long, lanky frame looks the part
of Foster.

K Review

Ann Clark, as Jeanie, is almost
too “sweet“ in her role, but that’s
probably the way she‘s supposed
to be. Nevertheless, she wins the
heart of Foster and the audience
with her charm.

()ursie. the tavern girl, is well
presented by Nancy Holcombe.

 

As the story progresses, the
audience doesn‘t know whether
she or Jeanie will win Foster‘s
heart.

The town drunk, Josh Polluck,
is played by Ben Armstrong. He
overdoes it a bit by being too loud
and too boisterous, even for a
town drunk.

Uncle Nebo, the big, friendly
Negro, captures the audience
with his rich bass voice. Herman
Durham. as Old Dog Tray, a
veteran of layears with this play,
is also a marvel.

This talented cast is enhanced
by the colorful costumes and the
serene setting of the musical. All
in all, The Stephen Foster Story is
an excellent way to spend an
evening, especially in keeping
with good 01‘ Kentucky tradition.

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The Stones play as Jagger takes the spotlight.

The Rolling Stones

Rockin ’ and rollin' in Louisville

By DAVID MASSIE
Kernel Staff Writer

As I entered Freedom Hall last Monday night,
I was as excited as all the other fans who’d come
to hear the greatest rock-and-roll band in the
world, the Rolling Stones.

While we waited for that magic moment, we
listened to a Florida band, The Outlaws, wailing
at times with sharp piano-forte riff changes.
After a short break, Copeland’s Overture for the
Common Man signaled that the unbelievable was
about to happen.

The stage was dark. Then, suddenly,
illumination from over 320 colored lights
revealed the Rolling Stones, singing “Honky
’I‘onk Women."

 

Review

E

Mick Jagger. dressed in a striped baseball-
pajama suit, commenced his hoppin‘ and boppin'
during a break just to get warmed up and get the
crowd going. Mick was like a little kid on a
playground. always roaming the stage area.

Cigarette-smoking Ron Wood and Keith
Richard both appeared blase. possibly bored, but
not quite oblivious as to where they were and
what they were doing as they proved themselves
supreme guitarists.

During “Star, Star.” a 40-foot pink balloon
grew from the star—shaped stage‘s center.
Jagger then boarded the proboscis and then
kicked it back down the center opening.

Billy Preston asked the crowd. “Do you want
entertainment?" The audience affirmed the
question and Preston did some high steppin' and
bumpin' with Jagger. During Preston‘s bit,
Jagger rested his head on Billy‘s shoulder and
took a drink.

Next, rolling Preston asked if they wanted to
see Mick go higher. “Yeaow.” the 18,000
responded. and that was the stimulus for Jagger.
He ran rope in hand straight towards the
audience and rocketed 40 feet above the crowd.
They all gasped in amazement and Jagger eased
himself back onstage.

Jagger, Richard, Preston and Wood sang
together on one mike for “You Got to Move.”
During “Midnight Rambler,” Jagger appeared
bored, which was the low point of the night.
Other songs included “Jumpin Jack Flash,”
“It‘s only Rock and Roll,” “On Down the Line,”
and the oldie-but-goodie “Get Off My Cloud.”

During the last 20 minutes, a confetti-Spurting
dragon grew from stage center, and with help, it
spewed the festive flakes on the audience.
Jagger threw buckets of water on the crowd and
himself. Then I feared electrocution as he ap-
proached Ron Wood with a bucket that for-
tunately contained only confetti.

The pulse and backbone of the Stones —
drummer Charlie Watts — was a pulsating mass
of muscle, cheeks billowing to keep up the in—
tense pace of songs like “Street Fightin‘ Man."

  

Preston asked

    
 

the crowd,

 
    
  

'Do you want

    

entertainment?’

Finally. Jagger went to all sides jumping and
”pushing" his waves goodbye. It was over.

 

The theatrics were great, but the music did not
have the emotional intensity or the duration of
the outdoor Memphis concert. They had so much
less theatrics in Memphis that they had to rely on
their music. In Louisville they appeared to want
to do their tricks and get of out there.

But the Rolling Stones, nevertheless. were
great and the margin of mediocrity between
great and greater is only slight.

 

Jagger trapezes over the audience in the recent Louisville concert.

 

 
     
    
  

'l‘lll'l KENTUCKY KERNEL, Tuesday, August 12. INS—5

“Lafiogaig

Welcomes back sororities

During your busy time Let us help you with
our catering service. We serve excellent
food for parties Large or small,
Luncheons, on dinners at a reasonable
price. Our patio is available for parties
at no charqe.

Italians Like Greeks
Roses-Euclid 254-0587 mullcm

WELL

808 BAGERIS PRESENTS

HELEN REDDY

Special Guest Star

PETER ALLEN
MON.. AUGUST 25 -— 8 P.M.

LOUISVILLE GARDENS
Formerly Convention Center

PRIC ES: $5, $6, 9. all seats reserved.

TICKETS NOW ON SALE in Lexington at Schillito's
in Fayette Mall (Ticketron).

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FATIGUES
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6—THE KENTUCKY KERNEL. Tuesday, August 12, I975

Lexington‘s Otdest Restaurant
H9 South Limestone Street. Lexington
For Reservation Phone 233.1511

Earn $$$ Weekly

BLOOD PLASMA

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sports

Much improved Kentucky

faces tough

By JOHN VOGEL

Kernel Staff Writer

“We should have a more im-
proved football team this season,
but our schedule improves, too.”

In 15 words Wildcat football)
coach Fran Curci, knowingly or '

not. summed up what’s in store
for UK gridiron enthusiasts this
fall.

This season will be. challenging
to the Curci bunch as it must face
seven teams that played in post-

season bowl games last season.

“That’s going to be our
problem,” Curci said.

“We could very easily have a
much improved football team
and not have as good a record (as
last year’s 6-5 mark),” the head
coach said. “This year’s going to
be a bit of a struggle.”

But before everyone drops his (

newspaper in shock and runs to
enroll in another university that
promises a glorious football
season as Kentucky had last
season, here are a few reasons to
stick around Lexington this fall.

Reason number one is the
promising Wildcat offense
machine. All-American can-
didate Sonny Collins, a whirling
dervish on legs returns for one
more year. Already UK’s all-time
rushing leader, the Bluegrass
hero will beat the Southeastern
Conference rushing record in his
first three or four games this
season.

Collins, who broke his ankle in
UK’s homecoming game against
Vanderbilt last fall, is in his
“money" year which should be
inspiration enough for the
Madisonville star to excel.

“Sonny is a real classy kind of
guy," Curci noted. “He‘s got a lot
of pridein his ability. All summer
he’s been running twice a day
because of his ankle. He’s not
only a good athlete, but he is
making his ability work for him,”
Curci said.

“I don’t think anybody on our
team is working out like he is,”
Curci added. “He wanted to be
ready.”

However, Collins is not the only
gear in the Big Blue machine.
Senior Steve Campassi, paired
with the all-time UK rushing
leader, '5 back to punch out
yardage along with superb
backup stars, Bill Bartos and Joe

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in an afternoon practice session at the first
annual Kentucky Wildcats lnsketball camp.

mitory.

It all began when requests started
pouring into the Wildcat basketball office
in April. Now, four months late‘, the first
annual Kentucky Wildcats basketball
camp is underway.

One hundred fifty-on